- Mar 16 ,2026Mar 17 ,2026Mar 18 ,2026Mar 19 ,2026Mar 20 ,2026Mar 21 ,2026Mar 22 ,2026Mar 23 ,2026Mar 24 ,2026Mar 25 ,2026Mar 26 ,2026Mar 27 ,2026Mar 28 ,2026Mar 29 ,2026Mar 30 ,2026Mar 31 ,2026Apr 1 ,2026Apr 2 ,2026Apr 3 ,2026Apr 4 ,2026Apr 5 ,2026Apr 6 ,2026Apr 7 ,2026Apr 8 ,2026Apr 9 ,2026Apr 10 ,2026Apr 11 ,2026Apr 12 ,2026Apr 13 ,2026Apr 14 ,2026Apr 15 ,2026Apr 16 ,2026Apr 17 ,2026Apr 18 ,2026Apr 19 ,2026Apr 20 ,2026Apr 21 ,2026Apr 22 ,2026Apr 23 ,2026Apr 24 ,2026Apr 25 ,2026Apr 26 ,2026Apr 27 ,2026Apr 28 ,2026Apr 29 ,2026Apr 30 ,2026May 1 ,2026
- by Denise N. Green
- Human Centered Design, Cornell Human Ecology
- Rachel Hope Doran ‘19 and Terrace Level Display Cases, Human Ecology Building
Fashioning Justice: Ruth Bader Ginsburg ’54 and the Power of Presence
Fashioning Justice: Ruth Bader Ginsburg ’54 and the Power of Presence explores how dress functions as civic infrastructure that shapes belonging, authority, and public life. Grounded in the clothing and accessories of Justice Ginsburg and the worlds she moved through, the exhibition considers dress as signal, shield, and statement. What we wear, carry, and keep can help us navigate public expectations and change them. Moving between intimate personal items and the visual codes of professional
- Apr 14 ,2026
- by Denise N. Green
- Human Centered Design, Cornell Human Ecology
- Martha Van Rensselaer Hall, G155
Celebrating Fashioning Justice: Ruth Bader Ginsburg '54 and the Power of Presence
Please join us for an event celebrating “Fashioning Justice: Ruth Bader Ginsburg '54 and the Power of Presence.” Curated by the Cornell Fashion + Textile Collection, the exhibition explores Justice Ginsburg’s legacy by situating her iconic judicial collars and personal objects within broader histories of law, policy, work, and society and is on view from March 16 to May 1.
The event features remarks from Justice Ginsburg’s granddaughter, Clara Spera, and a screening of the
- Nov 11 ,2025Nov 12 ,2025Nov 13 ,2025Nov 14 ,2025Nov 15 ,2025Nov 16 ,2025Nov 17 ,2025Nov 18 ,2025Nov 19 ,2025Nov 20 ,2025Nov 21 ,2025Nov 22 ,2025Nov 23 ,2025Nov 24 ,2025Nov 25 ,2025Nov 26 ,2025Nov 27 ,2025Nov 28 ,2025Nov 29 ,2025Nov 30 ,2025Dec 1 ,2025Dec 2 ,2025Dec 3 ,2025Dec 4 ,2025Dec 5 ,2025Dec 6 ,2025Dec 7 ,2025Dec 8 ,2025Dec 9 ,2025Dec 10 ,2025Dec 11 ,2025Dec 12 ,2025Dec 13 ,2025Dec 14 ,2025Dec 15 ,2025Dec 16 ,2025Dec 17 ,2025Dec 18 ,2025Dec 19 ,2025Dec 20 ,2025Dec 21 ,2025Dec 22 ,2025Dec 23 ,2025Dec 24 ,2025Dec 25 ,2025Dec 26 ,2025Dec 27 ,2025Dec 28 ,2025Dec 29 ,2025Dec 30 ,2025Dec 31 ,2025Jan 1 ,2026Jan 2 ,2026Jan 3 ,2026Jan 4 ,2026Jan 5 ,2026Jan 6 ,2026Jan 7 ,2026Jan 8 ,2026Jan 9 ,2026Jan 10 ,2026Jan 11 ,2026Jan 12 ,2026Jan 13 ,2026Jan 14 ,2026Jan 15 ,2026Jan 16 ,2026Jan 17 ,2026Jan 18 ,2026Jan 19 ,2026Jan 20 ,2026Jan 21 ,2026Jan 22 ,2026Jan 23 ,2026Jan 24 ,2026Jan 25 ,2026Jan 26 ,2026Jan 27 ,2026Jan 28 ,2026Jan 29 ,2026Jan 30 ,2026Jan 31 ,2026Feb 1 ,2026Feb 2 ,2026Feb 3 ,2026Feb 4 ,2026Feb 5 ,2026Feb 6 ,2026Feb 7 ,2026Feb 8 ,2026Feb 9 ,2026Feb 10 ,2026Feb 11 ,2026Feb 12 ,2026Feb 13 ,2026Feb 14 ,2026Feb 15 ,2026Feb 16 ,2026Feb 17 ,2026Feb 18 ,2026Feb 19 ,2026Feb 20 ,2026Feb 21 ,2026Feb 22 ,2026Feb 23 ,2026Feb 24 ,2026Feb 25 ,2026Feb 26 ,2026Feb 27 ,2026Feb 28 ,2026Mar 1 ,2026Mar 2 ,2026Mar 3 ,2026Mar 4 ,2026Mar 5 ,2026Mar 6 ,2026
- by Catherine Kueffer Blumenkamp
- Human Centered Design
- Rachel Hope Doran '19 and Terrace Level Vitrines, Human Ecology Building and Wortham Museum, Barton Hall
Fit for Duty: Form and Function in Military Dress
Fit for Duty: Form and Function in Military Dress — an interdisciplinary exhibition on form, function, and service — explores how military uniforms have evolved in aesthetics, silhouette, material, and visual symbolism—shaping ideals of discipline, identity, and design. Presented across two campus sites, the exhibition connects historical military dress to contemporary fashion, student design, and veteran storytelling. Complementary programming includes a Cornell Cinema film series, gallery talks, and a Veterans Day opening reception.
Opening reception
- Mar 10 ,2026
- by Jingwen Zhu
- Human Centered Design
- MVR 1219 and Zoom.
Hybrid Body Lab Artist Talk by Lauren Hooks
Join the Hybrid Body Lab for an artist talk with artist Lauren Hooks. Lauren is a stylist and content creator with 10+ years of experience, blending artistry and strategy. Specializing in artistic braiding and editorial styling, she merges technical skill with cultural storytelling. Lauren is the 2026 Artist-in-Residence at the Hybrid Body Lab.
- Mar 6 ,2026
- by Karen Steffy
- Human Centered Design
- Human Ecology Building T01
Processing Biopolymer Nanofibers and Composites
In this presentation, an introduction to biopolymer electrospinning process, as well as an overview of applications of nanofibrous biopolymer mats and their composites created by both a traditional and modified electrospinning process will be discussed. Electrospinning is a fabrication technique, which can be used to create nanofibrous non-wovens from a variety of starting polymer materials. The structure, chemical and mechanical stability, functionality, and other properties of the mats can be modified to match end applications
- Jan 28 ,2026Jan 29 ,2026Jan 30 ,2026Feb 2 ,2026Feb 3 ,2026Feb 4 ,2026Feb 5 ,2026Feb 6 ,2026Feb 9 ,2026Feb 10 ,2026Feb 11 ,2026Feb 12 ,2026Feb 13 ,2026
- by Gary Evans
- Human Centered Design
- MVR 1250 Gallery
Ergonomics Analysis
The exhibit displays student work from DEA/PSYCH/COG SCI 1500: Introduction to Environmental Psychology for an Ergonomic Analysis exercise. This exercise asks students to conduct an ergonomic analysis of their surroundings, identify a problem and propose a solution to the observed problem.
Problem: Students identify an ergonomic problem and analyze what the likely causes of this poor interface are, based on human factors concepts learned in class. For their analysis, students also discuss a salient social
- Mar 11 ,2026
- by Karen Steffy
- Human Centered Design
- Zoom Passcode: 843821
Sizing the Fashionable Body: Butterick Patterns, Standardization, and Normalcy 1860-1910
During the late nineteenth century, Ebenezer Butterick and The E. Butterick Company transformed women’s fashion by introducing mass-produced, precut sewing patterns based on a proportional grading system. While these patterns were marketed as accessible and democratic tools for amateur dressmakers, they were based on a rigid sizing framework that codified a vision of bodily “normalcy” centered on corsetry and the proportions of an idealized size “36.”
This talk shares research in progress on the origins