A hum resonated through the dHIVE as students, staff and faculty worked together on Warpspace, a community sculpture project. During the two workshops, participants wove colorful geometric patterns within interlocking 3D printed cubes. Later students assembled the cubes into larger sequences that became moving designs.

Warpspace was one of three flagship events led by Travis Fitch, B.Arch. ’10, who spent a three-week residency in the Department of Human Centered Design. The New York-based architect, artist, designer and educator works at the intersection of spatial design, craft, computational geometry and 3D printing. He loves to explore how simple parts can create something unexpected. This passion has shaped his career, and Fitch was eager to share it with students. 

“His design process is so recursive,” said Maggie Sandberg ’29, a fashion design major. “He observes, deconstructs and does it again. His iterations are almost playful. It was a good reminder to not get set on one thing and keep going with it. It’s okay to take it apart and rebuild it again — and probably for the better.”
 

Posted on
11/11/2026
Author
Marisa LaFalce
Tags
Community Engagement, Student Life

From gallery to lecture hall, Fitch shared how he uses small elements to create extraordinary forms

Fitch’s iterative approach was visible across the residency, including in “Accumulations,” an art exhibit spanning more than a decade of his practice. From fashion to product design, he showcased how simple repeated elements can create unexpected visual effects, such as a color-shifting dress inspired by a butterfly's wings and a series of colorful 3D-printed pixels on fabric.

His public lecture offered a more technical look at his design process and pioneering work in 3D printing. He gave a geometry primer, showed printing prompts and shared his newest challenge: digital embroidery. Throughout the technical examples, Fitch repeatedly returned to a simple idea that has guided much of his practice: “I love working on little bits and finding ways to manipulate and aggregate them.”

Yoojin Heo is a master’s student in Apparel Design whose research uses 3D printing for mass customization. She was inspired by Fitch’s pioneering use of the technology to embellish garments with color and sparkle.

“I’ve been following his work for so long. I think he's a genius at what he’s doing with textiles and 3D printing,” said Heo. “I was excited to actually meet him and ask him about his inspiration.” 

3D printed geometric sculpture in black.

Informal interactions build connections and community

Fitch also attended classes and worked individually with students and faculty in Cornell Human Ecology and the Department of Design Tech. The residency offered time for him to become part of the Cornell community and gain inspiration, critique and insight.

“Having a designer embedded in our community — not just the events, but in the smaller interactions — offers a tremendous opportunity for students to engage and build connections,” said Catherine Kueffer Blumenkamp, HCD assistant teaching professor and the residency host. “Bringing in artists and designers who come from elsewhere also broadens reach for all of us.”

Throughout the residency, Fitch encouraged students to pursue work they find meaningful and to maintain a connection to the physical world.

“However you do the work that you do, make sure it has a physical manifestation in something, whether it's tactile or performative, collaborative or functional,” he said. “And find things you love doing and can't stop doing. That’s important advice for life.” 

The residency was supported by the Excellence in Design initiative, a gift from Lori Oscher Friedman ’91, whose own student experience was impacted by a visiting designer. Previous designers include Thijs Verhaar and Lyske Gais of the Knitwear Lab; Galina Mihaleva, wearable tech expert; and Mimi Prober, luxury-upcycler. 
 

Fitch helps a student at Warpspace workshop